Vital Points of Skillful Finesse for Sabaki
By Yoda Norimoto 9 dan
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| Title | Vital Points of Skillful Finesse for Sabaki |
|---|---|
| Author | Yoda Norimoto 9 dan |
| Translator | Robert J Terry |
| Publisher | Hinoki Press |
| Code | h01 |
| Date | Oct-06 |
| ISBN | 0-9788874-0-9 |
| Pages | 233 |
| Dimensions | 8 5/8. x 5 5/16. - 210mm x 135mm |
| Sample pages | h01.pdf |
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Sabaki is one of the most intriguing techniques of go. In the hands of accomplished players it can seem like pure sorcery. At times the stones can appear to dance with life. While playing lightly hither and yon, the opponent's forces can end up ineffective, over concentrated and misdirected.
Yoda Norimoto has been one of the leading players on the go scene for more than ten years. In this landmark volume he uses a question and answer format to explore a variety of the aspects of go regarding sabaki from each player's point of view.
78 Model Problems, each with limited responses, are posed for the reader to solce. Despite this narrow focus, finding the correct solution can be surprisingly difficult. But Yoda clearly explains all of the possibilities, so the reader can cultivate the judgement to find the key line of play in such positions.
This is a book that all go players will treasure.
Contents show/hide
|   | Forward | 4 | |
| Introduction | How to Think About Sabaki | 7 | |
| 1 | Sabaki Requires Whole Board Vision | 8 | |
| 2 | Judgement of Strength and Weakness is Key to Sabaki | 12 | |
| 3 | The Structure of This Book | 23 | |
|   | |||
| Chapter 1 | Fundamental Skillful Finesse for Sabaki | 27 | |
| Problem 1 | White 7 and 9 Are Bad Moves | 29 | |
| Problem 2 | Meeting a Variation | 31 | |
| Problem 3 | Choosing Between Two Strategies | 33 | |
| Problem 4 | The Direction to Cut In | 35 | |
| Problem 5 | Black is Overwhelmingly Strong! | 37 | |
| Problem 6 | A Sharp Sabaki Technique Exists | 39 | |
| Problem 7 | White Suffers From a Shortage of Liberties | 41 | |
| Problem 8 | Follow-Up to a Common Technique | 43 | |
| Problem 9 | Following an Attachment and Cut | 45 | |
| Problem 10 | Three Exquisite Follow-Up Moves | 47 | |
| Problem 11 | A Set Pattern | 51 | |
| Problem 12 | A Skillful Finesse When the Ladder is Favourable | 53 | |
| Problem 13 | A Fundamental Skillful Finesse for Making Sabaki | 57 | |
| Problem 14 | A Crude Line Used by Players Enamoured With Their Own Strength | 59 | |
| Problem 15 | The Impetus of Sabaki for Stones | 61 | |
| Problem 16 | Proof of An Overplay | 63 | |
| Problem 17 | Pivotal Stones or Throwaway Stones | 67 | |
| Problem 18 | Tough Moves | 69 | |
| Problem 19 | The Position After Falling Into a Trap | 71 | |
| Problem 20 | A Common Skillful Finesse | 73 | |
| Problem 21 | Questioning One's Sense for the Correct Direction | 75 | |
| Problem 22 | The Choice of Joseki | 77 | |
| Problem 23 | The Strategy of Dealing With the Skillful Finesse for Sabaki | 81 | |
| Problem 24 | A Sharp Skillful Finesse to Seal the Opponent In | 83 | |
| Problem 25 | A Strong Encircling Net | 85 | |
| Problem 26 | Dodging Orders | 87 | |
| Problem 27 | A Hane Over is Skillful Finesse | 89 | |
| Problem 28 | Wandering Judgement | 93 | |
| Problem 29 | Common Sabaki Technique | 95 | |
|   | |||
| Chapter 2 | Judgement of Sabaki | 99 | |
| Problem 30 | Common Sabaki Technique | 101 | |
| Problem 31 | Are Black's Two Stones Pivotal? | 103 | |
| Problem 32 | Counterattacking is Unreasonable | 105 | |
| Problem 33 | A Difficult Problem? | 107 | |
| Problem 34 | The First Thought is the Vital Point, But... | 109 | |
| Problem 35 | Plunging Into the Middlegame | 111 | |
| Problem 36 | Countering the Capping Move | 113 | |
| Problem 37 | WA Mock Skillful Finesse | 119 | |
| Problem 38 | The Real Line of Attack | 121 | |
| Problem 39 | A Basic Taisha Joseki | 125 | |
| Problem 40 | Punishing a Play Elsewhere | 127 | |
| Problem 41 | Question About the Shapes of Stones | 129 | |
| Problem 42 | An Overplay | 131 | |
| Problem 43 | The One Space Jump or the Shoulder Hit | 133 | |
| Problem 44 | The Opponent's Strong Quarter | 135 | |
| Problem 45 | Reading Out the Situation on the Lower Side | 137 | |
| Problem 46 | Judgement Regarding Moving Out or Sacrificing | 143 | |
| Problem 47 | With a Side Glance at White's Large Territorial Framework | 147 | |
| Problem 48 | A Countermeasure Already Prepared | 149 | |
| Problem 49 | Full Board Vision of Attack and Defence | 151 | |
| Problem 50 | A Skillful Finesse for Sabaki | 153 | |
| Problem 51 | The Direction for Attacking the Corner | 155 | |
|   | |||
| Chapter 3 | Realgame Skillful Finesse for Sabaki | 157 | |
| Problem 52 | Attacking Firmly | 159 | |
| Problem 53 | The Policy of Lightly Making Sabaki | 161 | |
| Problem 54 | The Countermeasure Against the Cut at the Vital Point | 165 | |
| Problem 55 | The Ko Technique | 171 | |
| Problem 56 | The Direction to Defend | 173 | |
| Problem 57 | A Countermeasure Against Opponents Enamoured With Their Own Strength | 177 | |
| Problem 58 | A Place to Display One's Strength | 179 | |
| Problem 59 | Judgement About Attacking | 183 | |
| Problem 60 | Reading Out the Line for Fixing Up Shape | 187 | |
| Problem 61 | Choice of Strategy for the Middlegame | 189 | |
| Problem 62 | A Sharp and Skillful Finesse | 193 | |
| Problem 63 | A Crossroads of Attack and Defence | 195 | |
| Problem 64 | Turning Attention to the Upper Side | 197 | |
| Problem 65 | The Only Move for Fixing Up Shape | 199 | |
| Problem 66 | Dealing With a Counterattack | 201 | |
| Problem 67 | A Set Response | 203 | |
| Problem 68 | A Feeling for the Line of Play of the Stones | 205 | |
| Problem 69 | War and Peace | 207 | |
| Problem 70 | A Standard Pattern of Sabaki | 211 | |
| Problem 71 | The Relative Importance of Black's Marked Stone | 213 | |
| Problem 72 | Attaching is Skillful Finesse for Sabaki | 215 | |
| Problem 73 | An Uncertain Future, But... | 219 | |
| Problem 74 | The Ladder Relationship | 221 | |
| Problem 75 | Do Not Waver | 225 | |
| Problem 76 | Reading Out Variations to Follow | 227 | |
| Problem 77 | Enthusiastically Welcomed | 229 | |
| Problem 78 | A Sabaki Technique That Attracts All Eyes | 231 | |
